Suffragette anna howard shaw speech central idea
Suffragette anna howard shaw speech central idea series#
“Just by Way of a Change” was a series produced in Saxony but mailed in the United States. of Washington, DC, produced a number of real-photo images from suffrage parades.
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I & M Ottenheimer of Baltimore, MD, and the Leet Bros.
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The National American Woman Suffrage Association produced a series of motto and state postcards. At least, if survival rates are any indication, it was the most widely produced since postcards from this series are the most commonly available to contemporary postcard collectors.ġ7. Although I have not yet found exact production numbers for the series, it does appear to be the most widely circulated set of suffrage images in the United States. Perhaps the social climate was such that these cards were hand exchanged or merely kept by the purchaser” (Nicholson, 196).ġ6. When the pro-suffrage cards are found today, they usually have not been postally used. Their uses also differed: “Though most cards were heavily anti-suffrage, some were pro-suffrage. The differences between pro- and anti-suffrage postcards are not limited to their style and content. This summary of postcard types comes from the author's personal collection, a review of postcards available on-line, examination of collections put up for auction, and consultations with suffrage postcard collectors. Part of that incorporation involved the portrayal of women in media” (602).ġ3. She argues: “The parade marked a milestone in the incorporation of American women into Society. Lumsden, “Beauty and the Beasts: Significance of Press Coverage of the 1913 National Suffrage Parade,” Journalism and Mass Communication Quarterly 77, no. The visual power of the suffrage parade is best explained in Linda J. Marjorie Spruill Wheeler (Troutdale, OR: NewSage Press, 1995), 159.ġ2. Eleanor Flexner, Century of Struggle: The Woman's Rights Movement in the United States (New York: Atheneum, 1973), 248 and Sara Hunter Graham, “The Suffrage Renaissance: A New Image for a New Century, 1896–1910,” in One Woman, One Vote: Rediscovering the Woman Suffrage Movement, ed. James Laver, foreword to The Picture Postcard and Its Origins by Frank Staff, 7.ġ1. Lisa Tickner, The Spectacle of Women: Imagery of the Suffrage Campaign 1907–1914 (Chicago: University of Chicago Press, 1988), 50.ĩ. suffrage activities, I use the phrase “woman suffrage.”ħ. suffragists spoke of “woman suffrage.” Accordingly, when referring to British suffrage activities, I use the phrase “women's suffrage” and when referring to U.S. British suffragists referred to “women's suffrage” while U.S. Frank Staff, The Picture Postcard and Its Origins (London: Lutterworth Press, 1966), 8.Ħ.
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Greenhouse (Syracuse: Postcard Press, 1984).ĥ. George Miller, forward to Political Postcards 1900–1980, A Price Guide, by Bernard L. Fischer, Tippacanoe and Trinkets Too: The Material Culture of American Presidential Campaigns, 1828–1984 (Urbana: University of Illinois Press, 1988), 148.Ĥ. Valerie Monahan, An American Postcard Collector's Guide (Poole: Blandford Press, 1981), 84.ģ. Susan Brown Nicholson, The Encyclopedia of Antique Postcards (Radnor, PA: Wallaca-Homestead Book Co., 1994), 196.Ģ.